{"id":2668,"date":"2017-04-27T04:46:07","date_gmt":"2017-04-27T04:46:07","guid":{"rendered":"http:\/\/rifkindcenter.ccny.cuny.edu\/?p=2668"},"modified":"2018-07-18T06:43:34","modified_gmt":"2018-07-18T06:43:34","slug":"home-is-where-the-hatred-is-film-blackness-and-the-politics-of-black-becoming-2","status":"publish","type":"post","link":"https:\/\/rifkindcenter.ccny.cuny.edu\/?p=2668","title":{"rendered":"Home Is Where the Hatred Is: Film Blackness and the Politics of Black Becoming"},"content":{"rendered":"<h4><strong>Michael Gillespie, Associate Professor of Film, Department of Media and Communication Arts and the Black Studies Program at City College<\/strong><\/h4>\n<p><b><img loading=\"lazy\" class=\"wp-image-2191 alignleft\" src=\"http:\/\/rifkindcenter.ccny.cuny.edu\/wordpress\/wp-content\/uploads\/2017\/02\/gillepsie_portrait.jpg\" width=\"299\" height=\"418\" \/><\/b><\/p>\n<p><b>Thursday April 27th, 2017<br \/>\n12:30 \u2013 2:00 PM<br \/>\nRifkind Room NAC 6\/316<\/b><\/p>\n<p>This talk focuses on two recent films that demonstrate a rich and necessary complication of the idea of black film.\u00a0 Anna Rose Holmer\u2019s \u201cThe Fits (2015)\u201d and Frances Bodomo\u2019s \u201cEverybody Dies! (2016)\u201d collectively compel radical and innovative enactments of narrative, aesthetics, and historiography.\u00a0 The talk will consider the stakes of each film in the terms of film blackness, a critical measure of cinema\u2019s place in black visual and expressive culture.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Photos from Michael Gillespie&#8217;s talk &#8220;Home is Where the Hatred Is: Film Blackness and the Politics of Black Becoming&#8221; (04\/27\/2017):<\/p>\n<p>[soliloquy id=&#8221;2281&#8243;]<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michael Gillespie, Associate Professor of Film, Department of Media and Communication Arts and the Black Studies Program at City College Thursday April 27th, 2017 12:30 \u2013 2:00 PM Rifkind Room NAC 6\/316 This talk focuses on two recent films that demonstrate a rich and necessary complication of the idea of black film.\u00a0 Anna Rose Holmer\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2994,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[66,64,63],"tags":[],"_links":{"self":[{"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/posts\/2668"}],"collection":[{"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2668"}],"version-history":[{"count":3,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/posts\/2668\/revisions"}],"predecessor-version":[{"id":2717,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/posts\/2668\/revisions\/2717"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=\/wp\/v2\/media\/2994"}],"wp:attachment":[{"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rifkindcenter.ccny.cuny.edu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}